“’What becomes prominent and what becomes buried is intuitive,’ explains the artist. ‘I let the paintings talk, juxtaposing patterns, words and symbols to create a mishmash of meaning.'” Read the full article in Luxe Magazine here.
“It’s a method to charge the painting with pre-existing material, like textiles, pages from printed books, and other elements – to force the eye in different directionsand create juxtaposed messages. First you need to destroy everything and then very quickly remake it again, from the beginning.” Click here to read.