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The Oddville Press: J. Matthew McKern, Spring 2020

 Posted on June 4, 2020      by Merry Murphy
 0

Masked in Nelson’s faux-naive style is a complex formalism designed to both present and obscure meaning. “Ambiguity and metaphor are central to my work,” says Nelson, “I think the ambiguous is more interesting, more engaging. Because there is always something more to discover it reveals itself more slowly and it has greater longevity.” Oddville Press Spring 2020.

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@johnrandallnelson